Tuesday, April 22, 2008

Time Warner's The Earth Day Special (1990)

Earth Day may be unrivaled among holidays in the nobility of its sentiment, but when it comes to pop culture, its impact is somewhat lacking. Even Arbor Day has an associated Charlie Brown special, but Earth Day? Well, maybe not quite. Back in 1990, the holiday took quite a bite out of pop culture in a celebrity-packed video tribute produced and presented by Time Warner.

When I found an old VHS copy of the special, the back cover blurb made it an imperative to check out:

A fun-packed salute that makes a world of difference.

The biggest stars of the '90s take on the biggest story of the '90s in this informative blend of entertainment and cause. Rich in comedy, song and reports on the state of the planet, The Earth Day Special captures the excitement and commitment of Earth Day 1990 — and shares tips everyone can use to help solve the most urgent crisis the world faces today.

Mother Earth (Bette Midler) is ailing and it's up to folks in Anytown USA to help her recover. So Harold Ramis joins the Wastebusters. Robin Williams busts everyone up with one-liners, then plays straight man to an uproarious corporate weasel (Dustin Hoffman). Dr. Carl Sagan talks facts, Morgan Freeman talks trees and Rodney Dangerfield talks about the "ideal date" (organically grown). Rhea Perlman shanghais Danny DeVito into watching The Earth Day Special — and it opens Danny's eyes to the polluting ways of pals Dan Aykroyd, Chevy Chase and Rick Moranis. Plus, Christopher Lloyd drops in from the future, E.T. drops in from outer space and over 40 other celebrities — including Bill Cosby, Kevin Costner, Magic Johnson, Meryl Streep and Barbra Streisand — drop everything to aid Mother Earth.

Nothing so important was ever so much fun!
The summary gives an idea of just how many 1980s/1990s era celebrities appear (and there are even more than are listed), which alone makes it worth checking out for fans of unusual ephemera from that era, but the presence of a little-known Carl Sagan appearance elevated it to a must-see.

The special starts with what the credits call a "Galaxy Intro", in which the camera zooms through outer space accompanied by a somewhat Cosmos-like narration — no coincidence, since the segment turns out to have been written by Sagan and Ann Druyan:
We have searched the skies for signals. Our spacecraft have explored dozens of exquisite worlds in the family of our sun. But as far as we've looked, there's only one place in the entire universe where the miracle of life exists: our own planet Earth. Life is so rare and precious. We must safeguard, protect, and cherish it.
Then the scene shifts to the "Anytown", while an Earth Day procession winds through the town square. The cast listing includes a lengthy array of celebrities, and the working definition of "stars" is a bit, well, flexible, since Bugs Bunny, E.T., The Muppets, Porky Pig, and Tweety Bird are all listed as part of the cast. Sure enough, outside the parade, Bugs, Tweety, and Porky all appear in fully animated form in a Greg Ford-scripted sequence, with variations on their signature lines ("I did! I did see a Mewyl Tweep!").

Robin Williams starts telling a bunch of jokes. Oddly enough for an Earth Day celebration, nature is the butt of most of the jokes, but when he says that Mother Nature is the sort of parent who can't say no, he crosses a line; Mother Nature appears in the personified form of Bette Midler, to set him straight. Not only is she not too happy about being poked fun at, but she's already ailing from environmental damage. Collapses from illness, she's rushed to the emergency room of the nearest hospital, where she is looked after by none other than Doogie Howser, M.D. (!)

While Midler's Mother Earth is undergoing medical treatment, the stage is set for a series of short, mostly self-contained segments involving various celebrities.

Meanwhile, a layer of meta-narrative is added by having the entire proceedings being watched on TV by Danny DeVito and Rhea Perlman. (When DeVito treats the proceedings as if they're just another TV show, betting "I give you 2 to 1 she [Mother Earth] bites it", Perlman ripostes, "If she bites it, we all bite it!" Adding to the meta-fiction, some segments occur when DeVito tries to switch channels, only to find that every show on the air from Cheers to The Cosby Show to Married with Children has some sort of environmental spin to it, with the Huxtables trading quips about how to incorporate energy conservation into their daily routine and Rodney Dangerfield appearing on a game show where being the potential date partner with the most eco-friendly plans earns him some respect. When it turns out that Jeopardy!'s categories are "Acid Rain", "Garbage Overload", "Deforestation", "Global Warming", "Toxics", and "Ozone Depletion", DeVito exclaims, "I can't get away from this stuff!"

The big genre franchises of the 1980s aren't neglected, either. In order to show the future impact of environmental devastation, Back to the Future's Emmett "Doc" Brown appears — and yes, he rides in on the DeLorean! In one of the few cases where the crossover potential of the special is realized, he barges in to the emergency room in order to share his knowledge of the future with Doogie Howser, in a true meeting of pop culture "doctors". To represent the Ghostbusters movies, Harold Ramis appears, but not quite reprising his role of Egon Spengler, instead playing that character's "brother" Elon, who works for "Wastebusters". Elon's job is also a bit less glamorous than his more famous brother's — "Our job at Wastebusters is to identify industrial polluters, track them down, and humiliate them" — and sure enough, he accosts Martin Short as a sleazy corporate lawyer from "Diversified Industries" (with Short reprising his SNL character Norman Thurm, who apparently doesn't have a little-known sibling). As for E.T., he shows up in a pile of garbage outside the hospital and produces a book called A Practical Guide to How You Can Save Earth by the people of the Earth for the people of the Earth which he gives to a bunch of kids. And no, I don't have any idea why one of pop culture's most famous aliens was chosen to produce a book "by the people of the Earth".

Sleazy corporate lawyers are something of a recurring theme; in a segment featuring Dustin Hoffman and Robin Williams, Hoffman's lawyer ("I can always argue the other side") out-Thurms Thurm, tricking Williams's Everyman into admitting that pollution might not be so bad after all.

In a segment directed by Jim Henson himself (who passed away only weeks after the special aired), Kermit the Frog and other Muppets discuss the effect of pollution on animals. The Muppet Wiki has a complete transcript of the segment, accompanied by numerous screenshots, to supplement its detailed entry about the special in general.

And no movie from that era would be totally complete without a rap song. The special's one features rappers like Will "Fresh Prince" Smith and Ice-T, and lyrics like "Every time you put a paint can in the trash can, you take a piece of the world from the next man".

And last but not least, the Carl Sagan segment! Surrounded by an attentive audience in Anytown, and working from a script written by Sagan and Druyan themselves, Sagan goes into full Cosmos explainer mode, taking on global warming, ozone depletion, and acid rain. The scientific principles at work behind those three phenomena are discussed in as much depth as the brief segment run time allows, adding scientific heft as well as entertainment value to the proceedings. (Sagan is also one of the scientific advisors listed in the credits.)

Long out of print on VHS, and with almost as much time elapsing since its production as between it and the first Earth Day, the special has definitely faded into obscurity over time. More surprisingly, it has received almost no attention from the array of nostalgia websites devoted to ephemera from 1980s and 1990s pop culture, of which it would seem to be the perfect example. The range of celebrity cameos gives a real flavor of pop culture at that moment in time, the science holds up pretty well (that's what you get for getting Sagan on board), and while it definitely has its cheesy elements, it has aged far less badly than some of the contemporary attempts to cross over entertainment with serious issues.

Tuesday, March 04, 2008

new Education Revolution blog

Well, my pal Jerry Mintz has finally created a brand-spanking-new blog for his organization, the Alternative Education Resource Organization (AERO), to supplement AERO's website, his personal site, and his various email-based announcements and mailing lists. Mintz/AERO has done a dizzying array of education-related things over the years: penning the book No Homework and Recess All Day; publishing Education Revolution magazine; running an annual conference; preserving Modern School history ... and simply doing a lot of the raw, exhausting work involved in keeping various education reformers in touch with each other, helping people start schools, helping schools improve themselves and become more "alternative", and the various other stuff involved in keeping an education reform movement alive and moving.

So far, the blog has three posts: the first is a simple announcement post where he says, "I still barely understand what a blog is, but I’m about to find out!"; the second links to and reposts an article Mintz wrote for USA Today last month; the third posts an interview Mintz did for the television show Joy in Our Town. The latter two, in particular, give a sizable sample of Mintz's style and approach.

AERO, incidentally, is indirectly responsible for me starting this blog. In mid-2005, I had been mulling over starting a blog for a while, but hadn't done anything yet. And then, during the 2005 AERO conference, I was chatting with a teacher from the Olympia Free School, who was at the same time typing up an entry on his laptop for his school’s blog (at the time, it was called "Free School Field Days"; the current form of the school's blog is here). As I saw him typing away in the Blogger interface, it just struck me how easy it was, and so I decided to stop stalling around and just go ahead already — and started this blog shortly after getting back home from the conference.

One of the rules of the blogosphere is that it's very self-referential; bloggers like to blog about other blogs with reference still other blogs ... so AERO's will probably be getting a lot more attention from other blogs. It'll motivate me to blog more about education-related issues, too (although I make no promises!)

Welcome to the blogosphere, Jerry!

Monday, March 03, 2008

new science fiction on Project Gutenberg: Frank Herbert's Operation Haystack

Yet another public domain science fiction short story whose eBook I helped produce makes its debut on Project Gutenberg. Originally from Astounding Science Fiction May 1959, with illustrations by H. R. van Dongen, joining Herbert's "Missing Link", posted last October. Yes, that Frank Herbert, and yes, it's really public domain ... 'nuff said!

one of H. R. Dongen's illustrations for the tale

Sunday, February 17, 2008

Cartoon Dump

As Beavis and Butt-Head would say, "Huh-huh, huh-huh, somebody keeps taking a dump in Manhattan."

Defends Adult Diapers from the Beavis and Butt-Head episode 'Blood Pressure'


more Defends Adult Diapers from the Beavis and Butt-Head episode 'Blood Pressure'

Cartoon Dump, that is — a twisted parody of childrens' shows of yesteryear combining live comedy and so-bad-they're-good old cartoons, created by animation historian Jerry Beck and Frank "TV's Frank on MST3K" Conniff (MST3K's Joel Hodgson has appeared in at least one CD installment in the past).

CD had previously existed as a live show in L.A. and a set of online episodes, but on January 8 the show came to the East Coast for the first time; and there will be new shows on February 19 (this Tuesday) and March 11.

The January show was really fun. The premise is much like the online version: Erica Doering plays the host, Compost Brite, of a warped cartoon "children's show". She's a perennially cheery and perky character with an optimistic outlook; as the old joke goes, if you gave her horse droppings as a gift, she'd say "Wow, a pony!" And she needs it, since everybody else is completely neurotic, and full of problems that would never see the light of day on a real kiddie show. The most depressed of the supporting characters is, naturally, Frank Conniff's Moodsy the Clinically Depressed Owl. Although he wears a brightly colored anthropomorphic costume, he's also alcoholic and suicidally inclined. And of course, Compost Brite always tries to extract kiddie-friendly lessons about things like sharing and making a difference, even if she's really just driving Moodsy into even deeper depression. For instance, in the third online episode, after watching an atrocious Bucky & Pepito episode, Moodsy says, "There was something about that cartoon — the harsh, barren landscape; the empty, faceless characters; the overall tone of sorrow and regret — it was like a snapshot into my soul." and Compost Brite replies, "Well, I hope your soul said CHEESE!!!"

Unlike the online version (and presumably the LA version, where the online episodes were filmed) which takes place beside a dumpster, this version has no set. So, stretches of live comedy alternate with bad cartoons chosen by Jerry Beck (who introduced the cartoons and the show as a whole, but didn't act in the comedy segments). Contrary to what one might think based on Conniff's MST3K role, the cartoons are presented without any MST3K-style riffing or commentary while they're running, but the abundant laughter from the crowd is accompaniment enough (it alone makes them work much better than the online version).

The venue is pretty cool, too: a combination of comedy club and eatery, with a bar that's separate from the performance area, which doubles as a restaurant. Each of the menus features a picture of somebody who's performed at the club, such as Sarah Silverman (one of many famous comedians who have performed live there). The food is good too (if a bit pricey).

The cartoons themselves? Jerry Beck has really drawn on his vast experience to dig deep into the bottom of the animated barrel. As a result all the cartoons are really old (Jerry pointed out that they're actually old cartoons, in case anybody thought they were modern ones like the Ambiguously Gay Duo made to look old), obscure (they make the crummy formulaic cartoons that air on Boomerang look good) and cheaply and poorly designed and animated (one particularly bad sequence stood out, in which the villain and his henchman dance to celebrate their evil plan of turning people to stone; it's hard to explain in words, but the drawings just didn't flow the way they should). They do tend to be lame rather than actively painful, but still definitely provide a lot of unintentionally funny moments. And the premises are as hilariously lame as one would hope for. For instance:

Mighty Mister Titan (also in the first online episode): an exercise superhero. Really! He does jumping jacks and the like (with 4 or 5 drawings per rep) while enjoining us to join along; some of the exercises are performed in equally jerky fashion by a tip-dispensing stick figure named Tipso.

Super President: a DePatie-Freleng production (!) about, well, a superhero who's also the president of the United States. I'll just quote the show's intro for his awe-inspiring powers:
His power was born in a cosmic storm! Every molecule charged with might! Powers that enable him to change his molecular structure to steel! To granite! To whatever the need requires!
The Adventures of Sir Gee Whiz On The Other Side Of The Moon (also in the sixth online episode; since only one pilot episode of the series was ever produced, this is identical to the version the show used): This time, in one of the last pieces of animation that Hugh Harman and Rudolf Ising ever produced (!), the main character is not a superhero, but a leprechaun (voiced by Ising himself) who lives on the moon who takes a little girl (who is so poorly designed that her face looks more like that of a blowup doll) there. One of the biggest laughs came from one of the "aliens" on the Moon, who doesn't exactly put the Selenites of H. G. Wells's The First Men in the Moon to shame, Señor Ropo:

Señor Ropo the selenite


Here are the six episodes so far of the online version:
And more info:

Thursday, February 14, 2008

Hey, I'm on the radio!

Last Thursday, the NPR show The Bryant Park Project did a nine minute segment on dorkbot-nyc's meeting the previous day. Segment producer Ian Chillag interviewed me at the meeting, and a small snippet from me made it into the very end of the segment; I quote William Gibson's "The future is here. It's just not evenly distributed yet." (which I misattribute to Bruce Sterling) as a way of explaining the way ideas show up at dorkbot before they percolate to the larger culture. The quote, and a mention of me, also made its way into the online summary of the segment. (When Rocketboom covered dorkbot in 2006, a small portion of my head could kinda-sorta be made out for a few frames of a crowd shot; not quite as good.) Also, the presenters and Douglas Repetto are also interviewed; and some of the theme songs also appear.

Tuesday, February 12, 2008

Contact on TCM's 31 Days of Oscar

Contact (and Men in Black) featured in the TCM lineup

On Sunday, February 24th, Turner Classic Movies will be airing Contact as part of this month's "31 Days of Oscar", in which Academy Award-winning movies are showcased.

Check out the TCM Movie Database entry for the film. Sean Axmaker provides an excellent overview of the film, from the production history to the issues and themes involved; Sagan is described as "one of the most effective spokesmen for the advancement of science and space exploration in the world", and the entry also includes a quote from Ann Druyan:

"Carl's and my dream was to write something that would be a fictional representation of what contact would be like," explains Ann Druyan, Sagan's wife and collaborator. "But it would also have the tension inherent between religion and science, which was an area of philosophical and intellectual interest that riveted both of us."
Each night's worth of movies is organized by a specific decade (all the way from the 1920s to the 1990s and 2000s); it so happens that immediately before Contact on the schedule is a somewhat different 1997 alien contact science fiction film, Men in Black. Saganites have mixed opinions on the merits of MIB; Keay Davidson in his biography of Sagan dismisses it as a dumbed-down "mean-spirited bloodbath"; whereas pop-culture-savvy Nick Sagan slipped in an homage (or more precisely, an homage to an homage) to it in his short story "Tees and Sympathy":
I thought that was clear. The reason why I’m wearing a black suit and sunglasses is because I’m homaging Men in Black.
And Phil Plait answers the question of how "a skeptical, UFO-bashing, aliens-aren't-visiting-us-and-excoriating-cow- you-know-whats scientist-type guy" can enjoy the film in his review:
I loved this movie.

Surprised? "What's a skeptical, UFO-bashing, aliens-aren't- visiting-us-and-excoriating-cow-you-know-whats scientist-type guy going around saying he loves a movie whose very premise is that not only do aliens exist, but live among us?" you are asking yourself.

Well, the movie is awesome. It rocks. I laughed all the way through it. It's funny. It's also satirical, poking gentle but firm fun at the whole UFO and alien subculture.

(Also, for all the differences in tone, note that both films use a shot consisting of an extended zoom out from Earth to outer space to comment on humanity's place in the universe.)

(Cross-posted at Celebrating Sagan)

Tuesday, February 05, 2008

Shadows of Forgotten Ancestors on DVD today

No, it's not a little-known spinoff of Cosmos based on Carl Sagan and Ann Druyan's book of the same name, but a 1964 Soviet film by Sergei Parajanov that inspired the name of the Sagan/Druyan book! I know nothing else about the film (it's not even a documentary as one might think, but fiction), but it's Sagan-related enough to take note of here. Some quick links to stuff about the film: